Listen to the beloved and celebrated author of over 500 albums, performance artist, musician, freelance improviser, electronic music composer and video content producer, as well as musical theater writer and composer of the experimental “Drone Drama (Music) For The Dead) ”, based in Berlin by choice, Sean Derrick Cooper Marquadt, the portentous and exalted creator of the accidental guitar technique that graces us with his new and intoxicating solo album, "Snow White".
A beautiful improvised metal dream with instant manipulation of instruments without any score or cipher, only sounds coming from electronic sound equipment and the ubiquitous and acclaimed accidental guitar of this futurist professional promise to deconstruct now current patterns of experimentalism associated with effects caused by his posology.
released August 28, 2021
Sean Derrick Cooper Marquardt aka MoreBlackThenGod is an American Berliner-by-choice, performance artist, musician, freelance improviser, composer of electronic music and video content producer, as well as music theater writer and composer of the experimental “Drone Drama (Music For The Dead)”, which is currently being published by by the Californian visual artist Cecelia Chapman, and also Artistic Director of the music labels Hortus Conclusus Records, Friends of Sagittarius Records and Friends of Sagittarius Festival as well as Artistic Director and curator of Magic Mitte Cinema.
The artist has published over 500 albums, collaborations and compilations. He performs and publishes under the names MoreBlackThenGod, Drone Messiah, The S&M Trio, The S&M Accidental Orchestra, The Return of The Think Thing, Tradishion, Hildeguard, Hortus Conclusus Live, PNYX and MC Plane of Existence.
Sean Derrick Cooper Marquardt developed the Accidental Guitar method. The holistic concept comprises three main aspects: First, the creation of sounds and worlds of sound by combining the guitar with distortion effects. Second, improvisation - Cooper Marquardt systematically rejects given choreographies and all forms of rehearsals or planning (this applies not only to live performances, but also to recordings in his studio). Finally, the third dimension is the specific situation that the musician encounters while playing: The atmosphere and setting, the people, conditions and moods in the respective room lead to a contextualization of his music.
Cover artwork by IO under photografy of the model Sean by @koszki_photography
www.instagram.com/koszki_photography
The Church of Noisy Goat
thechurchofnoisygoat.bandcamp.com
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